- Aug 19, 2025
Advanced Audio Mixing in DaVinci Resolve: Professional Techniques for Video Editors
- Issy Howell
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Most video editors focus on the visual aspects of their craft, but after producing content for live events, conferences, and cultural institutions, I've learned that audio quality often determines whether content feels professional or amateur. DaVinci Resolve's Fairlight page offers broadcast-quality audio tools that many editors never fully utilise.
Foundation: Proper Gain Staging
Understanding the Signal Chain Before touching any effects, get your levels right:
Clip Gain: Adjusts the source audio level (non-destructive)
Track Volume: Controls the track's output to the mix bus
Bus Output: Final level going to your master output
The -18dBFS Rule Professional audio targets -18dBFS for optimal headroom:
Select your audio clips
Right-click > Normalise Audio Levels
Set target to -18dBFS
This gives you room for processing without distortion
Reading Your Meters Watch the track meters, not just the master output:
Green: Good operating level (-18 to -6dBFS)
Yellow: Approaching limits (-6 to -3dBFS)
Red: Clipping (avoid at all costs)
Dialogue Enhancement Techniques
EQ for Clarity Most dialogue issues happen in predictable frequency ranges:
High-pass at 80Hz: Removes rumble and handling noise
Presence boost (2-5kHz): Adds clarity and intelligibility
De-essing (6-8kHz): Gentle reduction for harsh sibilants
Practical EQ Workflow:
Add EQ from Effects Library to your dialogue track
Enable high-pass filter, sweep to find the right frequency
Use narrow Q to identify and reduce problematic frequencies
Broad boost in presence range for clarity
Compression for Consistency Dialogue compression evens out volume variations:
Ratio: 3:1 to 4:1 for natural sound
Attack: 10-30ms (fast enough to catch peaks)
Release: 100-300ms (natural decay)
Threshold: Set so you get 3-6dB of gain reduction on loud passages
Music and Background Audio Management
Ducking Techniques Automatically lower music when dialogue appears:
Add Compressor to music track
Set sidechain input to dialogue track
Adjust threshold so music ducks 6-10dB when dialogue is present
Fast attack (1-5ms), medium release (500ms-1s)
Frequency Separation Keep dialogue and music from competing:
Music: High-pass at 100-200Hz, gentle low-mid cut around 300-500Hz
Dialogue: Complementary boost in mid-range where you cut music
This creates space for both elements to coexist
Live Event Audio Challenges
Dealing with Room Tone Live venues always have ambient noise:
Record 30 seconds of "silence" at each location
Use this room tone to fill gaps in dialogue
Match the ambient level throughout your edit
Multi-Microphone Mixing When working with multiple sources:
Phase Alignment: Use Fairlight's phase meter to check correlation
Gain Matching: Ensure consistent levels between different mics
EQ Matching: Make different mics sound cohesive
Feedback and Handling Noise Common live event issues:
Notch filters for feedback frequencies (use narrow Q)
De-noise for air conditioning and electrical hum
Gate for eliminating handling noise between speech
Advanced Fairlight Features
Bus Processing Group similar elements for efficient processing:
Create buses for dialogue, music, and effects
Apply compression and EQ to buses rather than individual tracks
Use sends for reverb and delay effects
Automation for Professional Polish Fairlight's automation rivals dedicated audio software:
Volume automation: Smooth out levels that compression can't fix
EQ automation: Dynamic frequency adjustments
Send automation: Varying reverb amounts for different sections
Loudness Standards Different platforms have different requirements:
YouTube: -14 LUFS integrated loudness
Broadcast: -23 LUFS (EBU R128)
Streaming: -16 LUFS typical
Use Fairlight's loudness meter to hit these targets
Delivery and Quality Control
Final Mix Checks Before exporting, verify your mix:
Mono compatibility: Check how your mix sounds in mono
Headphone check: Different perspective from monitors
Quiet listening: Mix should work at low volumes
Phone speaker test: How does it sound on small speakers?
Export Settings for Audio Maintain quality through the delivery chain:
Sample Rate: Match your timeline (usually 48kHz for video)
Bit Depth: 24-bit minimum for professional work
Codec: Uncompressed or high-quality compressed (AAC at 320kbps minimum)
Troubleshooting Common Audio Issues
Sync Problems:
Use Fairlight's automatic sync feature for multi-cam audio
Manual sync using waveform matching
Always record scratch audio on camera as backup
Noise Issues:
Spectral analysis to identify problem frequencies
Adaptive noise reduction for varying background noise
Manual cleanup for specific problem areas
Building Your Audio Workflow
Template Creation Save time on future projects:
Set up your standard bus structure
Add your go-to effects with default settings
Save as project template
Include color-coded track organization
Keyboard Shortcuts Speed up your Fairlight workflow:
Shift + Z: Fit timeline to window
A: Select all clips on selected tracks
Blade tool shortcuts for quick editing
Conclusion
Professional audio mixing in DaVinci Resolve requires understanding both the technical tools and the creative decisions that serve your story. After handling audio for hundreds of live events and video projects, I've learned that consistent, methodical approaches always outperform quick fixes.
The Fairlight page offers genuine professional capabilities, but like any powerful tool, it requires proper technique to achieve great results. Every project teaches you something new about audio, and building a systematic approach helps you deliver consistent quality regardless of the source material challenges.
Want to dive deeper into audio techniques specific to your projects? Book a free 30-minute consultation where we can discuss your audio challenges and develop solutions tailored to your workflow.